(via apolloliveonyourtv)
5 days ago - 
62
62
How I Learned to Stop Worrying & Love the Bob-omb
hello!
THIS IS DR.STRANGELOVE's
War room
i'm 26.
Cinephile.
from Ventura County, CA.
--------Et cetera!---------
*** MOVIES!!!! ***
*** MOVIE GIFS!! ***
*** art!! ***
*** PHOTOGRAPHY!! ***
***music!***
AND
*** COMICS!!!! ***
Don't you ever stop.
Long enough to start.
Take your car out of that gear.
dont eat the
ಠ_ಠ pizza ಠ_ಠ
HAVE A NICE DAY.
¯\_(ツ)_/¯
THIS IS DR.STRANGELOVE's
War room
i'm 26.
Cinephile.
from Ventura County, CA.
--------Et cetera!---------
*** MOVIES!!!! ***
*** MOVIE GIFS!! ***
*** art!! ***
*** PHOTOGRAPHY!! ***
***music!***
AND
*** COMICS!!!! ***
Don't you ever stop.
Long enough to start.
Take your car out of that gear.
dont eat the
ಠ_ಠ pizza ಠ_ಠ
HAVE A NICE DAY.
¯\_(ツ)_/¯
(Source: alwaysmoneyinthebnanastand)
5 days ago - 15
15
(via apolloliveonyourtv)
5 days ago - 61
61(Source: gordonlevitting)
(Source: msavacrowder, via coolcolors)
Martin Scorsese designed each year in the film to look just the way a color film from that time period would look. Achieved mainly through digitally enhanced post-production, Scorsese recreated the look of Cinecolor and two-strip Technicolor. Watch in particular for the scene where Howard Hughes (Leonardo DiCaprio) meets Errol Flynn (Jude Law) in the club. Hughes is served precisely placed peas on a plate, and they appear blue or turquoise - just as they’d have looked in the primitive two-strip Technicolor process. As Hughes ages throughout the film, the color gets more sophisticated and full-bodied.
(Source: jimmyconways)
(Source: jimmyconways, via coolcolors)
(via coolcolors)
(Source: seymourhoffmans, via coolcolors)
(via coolcolors)
(Source: jimmyconways, via coolcolors)
(Source: twistedcorridors, via coolcolors)
